- 1 Did Whitney write any of her songs?
- 2 Who has the longest number 1 song ever?
- 3 Is Whitney Houston one of the best singers ever?
- 4 Is Whitney Houston one of the best singers?
- 5 What was Whitney Houston’s last hit?
- 6 Is Yaya really singing in Whitney?
- 7 Who wrote the song I Will Always Love You for Whitney Houston?
- 8 Did Bobbi Kristina know how do you sing?
- 9 Did the actress who played Whitney do her own singing?
Who wrote the Whitney Houston song How Will I Know?
Image caption, How Will I Know was originally intended for Janet Jackson George Merrill and Shannon Rubicam wrote two US number one hits for Whitney Houston in the 1980s. The couple had moved from Seattle to California to work as songwriters. How Will I Know and I Wanna Dance with Somebody were the songs that made their names.
- By 1988, they had their own record deal and scored a global hit of their own with the song Waiting for a Star to Fall, recorded under the name Boy Meets Girl.
- The duo told the BBC about how their songs came to be part of Whitney Houston’s repertoire, and how her vocals embellished their original demos.
George: We’d had success prior to How Will I Know, but nothing that compared. That was the meteoric rise, right there. But it was originally written for Janet Jackson. Shannon: We were asked by our publishing company to write something for Janet’s album, and we just wrote for what we knew of Janet’s voice and style.
- But she took such a different musical direction on that record, which became her Control album, that they turned down our song.
- But then Clive heard it and wanted it for Whitney, who he had discovered.
- George: We didn’t know much about Whitney.
- There was a buzz.
- People who had heard her and seen her were excited.
But we were concerned it wouldn’t work out as well as it might have with Janet Jackson. Then we got a call from our friends Alan and Preston Glass, who were in the studio in San Rafael, northern California with Narada Michael Walden, They were kind of excited and whispering, “I think you’ve got to hear this right now”.
They hit playback and we got a chance to hear How Will I Know in its rough, unmixed form. Image caption, Rubicam and Merrill wrote Houston’s How Will I Know and I Wanna Dance with Somebody Shannon: Even down the telephone, I’d never heard anyone sing like that. Especially on one of our songs. I think our hair blew back! George: She bit off those lines and chewed up the song.
It was so exciting. Shannon: The demo recording had been very soft and sweet, because we were thinking of Janet Jackson. Whitney added her power punch to it. I’d put a few ad libs in on the guide vocal track, but she embellished them and made them her own.
She sang the hell out of it. George: When we came to write I Wanna Dance, that was written specifically for Whitney. And it was really exciting to hear some of the little things Shannon did on the demo, little twists on the words, when Whitney picked those up and sang them later. Shannon: But she was always very true to the melody.
She had the sensibility to embellish the song with acrobatic licks but maintain a real elegant control. She never got crazy. It was really something. If you listen to the a capella version of How Will I Know, she’s so precise. Even at the lower end of her zenith, she still was one of the better singers around.
Most of us could never approach that. Her impact on the world of female singers, in particular, was so strong. It’s strange to think there’s a group of girls aged 10 and 11 now who’ll grow up with a completely different set of idols, and they won’t know about Whitney Houston. George: For me, the other memory that sticks out was when she was playing at the Greek Theater in the open air in Los Angeles,
Shannon and I had seats right back by the mixing board and when she sang our song, everyone jumped up. She was so powerful and it was such a great moment. We got the chance to meet her afterwards. She was just this kid – this elated kid. Shannon: Effervescent and silly and happy.
Who had 7 consecutive number 1 hits?
With the release of her single “Where Do Broken Hearts Go” in early ’88, Whitney Houston set the record as the only artist ever to reach the milestone of seven consecutive No.1 hits on the US Billboard Hot 100. With her first two landmark albums, “Whitney Houston” in 1985 and “Whitney,” in 1987, Queen of the Night Houston took to the stage with an entrance the world would never forget.1.
“Saving All My Love For You” Released in 1985, “Saving All My Love for You” emerged from Houston’s self-titled debut album Whitney Houston, The first hit song to kickstart her storied career, the staple love song reached the No.1 spot the week of October 26, 1985.2. “How Will I Know” With the debut of her self-titled debut album on the charts in December 1986, sing-along single “How Will I Know” shot to No.1 by February 1986, marking Houston’s second No.1 single of the new year.
Irresistibly danceable, the signature smash “How Will I Know” introduces Houston’s bubbly, sweetheart personality as she pines over whether her lover feels similarly towards her. As she riffs up and down the vocal ladder, the pop superstar confidently channels an unprecedented energy into the synth-pop soul number.3.
- Greatest Love of All” First recorded by George Benson, Houston brought the song back to life in ’85 and by ’86, Houston’s version topped the Hot 100 chart for three weeks.
- Legend goes, Arista Records President Clive Davis first chanced on Houston performing at a New York night club performing this incredible cover.
“Whitney sang the song with such fervor, with such a natural vocal gift, with such passion, that I was stunned. I knew really right then and there that this was a special talent and I was blown away by her. As I reflect back on this, I can relive the experience for the very first time.” He then immediately signed Houston.4.
I Wanna Dance with Somebody (Who Loves Me)” Tasked with releasing a follow-up that would match and surpass the smash success of her debut album and its three No.1 singles, Houston raised the stakes with one of the greatest pop songs of the 80’s. From the song’s radiating harmonies to the climactic key change, Houston launched into the superstar fame with her sky-scraping vocals on full display in this No.1 dance-floor single.5.
“Didn’t We Almost Have It All” With an energy that emanated both a profound sense of sadness ad artistic sensitivity, Houston bared her soul in this wistful number, stealing the gold with this fifth consecutive No.1 hit. Houston worked with an A-list team to piece together this scorching ballad, teaming up with producer Michael Masser and lyricist Will Jennings, who was also writing for The Crusaders and B.B.
- Ing.6. “So Emotional” Music royalty Houston headed over to New York City to record this 1987 classic synth-pop track at Right Track Studios.
- Rolling Stones frontman Mick Jagger was recording next door and “had to come in and witness it,” album producer Narada Michael Walden recounts.
- He started jumping around, as he does, and he just couldn’t believe the sound.
Whitney was so excited about that.” “So Emotional” scaled to the very top of the Billboard charts in January 1988 as the year’s first hit single, giving Houston her sixth consecutive No.1 and placing her in a three-way tie with The Beatles and The Bee Gees.7.
Did Whitney write any of her songs?
Famous singers who don’t write their own songs – We’ve talked a lot about which singers do write their own songs – and there are thousands, known and unknown. But an even larger number of vocalists don’t write their own tracks. So who are the big names covering songs and having full-time writers in their crew? What singers don’t write their own songs? Frank Sinatra had an entire team of songwriters.
Paul Anka, himself a famous pop star, wrote one of Frank’s iconic songs: “My Way”, which has since been covered by hundreds of singers. Elvis Presley had huge hits with he didn’t write, such as Hound Dog and Jailhouse Rock. Whitney Houston had a legendary voice, but most of her songs were not self-penned.
One of her biggest hits “I Will Always Love You” was written by a songwriter we’ve already mentioned – Dolly Parton. Justin Bieber’s hit “Baby” was written by Christina Milian. Rihanna’s “Diamonds” was written by another successful singer, Sia, who also wrote Beyonce’s “Pretty Hurts”, as well as countless other songs for big-name artists and herself.
- The Caribbean chanteuse may have had a notoriously rocky relationship with Chris Brown, but he was responsible for half of her hit Disturbia.
- Gwen Stefani’s “Hollaback Girl” is one of many songs Pharrell Williams has written for other artists, many of which he also produced.
- Sinéad O’Connor’s one hot wonder Nothing Compares 2 U was composed by Prince.
Songwriting is a different skill from singing. Many of the top prolific writers may not be as famous as the singers for whom they’ve written, and of course, many co-write and collaborate with writers or other musicians, where the melody and the lyrics are written by different people.
How many number 1 songs did Whitney Houston have?
Over the course of her illustrious career, Houston placed 11 singles atop the Billboard Hot 100, including her 1992 version of ‘I Will Always Love You,’ the song that will forever be her trademark.
Who wrote Whitney Houston’s biggest hit?
Remembering Michael Masser, the songwriter who gave Whitney Houston his all if any songwriter understood the ambitious reach of Whitney Houston, pop’s greatest ballad singer, it was Michael Masser. In 1985, Michael Masser co-wrote and produced four songs for Whitney Houston’s smash-hit debut, three of which had the word “all” in their titles.
- Two years later, Masser penned another cut for Houston’s follow-up album.
- The name of that one? “Didn’t We Almost Have It All.” Clearly, if any songwriter understood the ambitious reach of pop’s greatest ballad singer, it was Masser, who died at age 74 last week at his home in Rancho Mirage.
- According to the Desert Sun, Masser three years ago and never fully recovered.
In his early material for Houston — “All at Once,” “Saving All My Love for You” and, most famously, “Greatest Love of All,” still regarded as the late vocalist’s signature song — Masser composed lush melodies that brought a universal sweep to lyrics with appealingly specific points of view.
For instance, depicts Houston as a woman in a dead-end affair with a married man. “A few stolen moments is all that we share,” she sings, “You’ve got your family, and they need you there.” Yet the airy tune opens up the scope of the song, whose meaning almost certainly sneaked by some listeners on its journey to the top of the Billboard Hot 100.
You can think of Masser’s repeated language — not to mention his consistent use of a certain electric-piano tone — as part of a formula, proof of a devotion to efficiency left over from his days as a stockbroker in the 1960s. Compare the melody of “” to that of “” and you’ll hear a guy who knew how to maximize the value of his labor.
- But Masser also relied on these habits because they flattered Houston’s voice: The “ah” sound in all those “all’s” provided the necessary space to soar, while the delicate keyboard textures made her seem only more powerful by contrast.
- Indeed, several of Masser’s songs for Houston were recorded first by other artists, though nowhere near as convincingly.) Masser’s partnership with Houston followed earlier collaborations with stars including Diana Ross, for whom he and Gerry Goffin wrote the Oscar-nominated “Theme from Mahogany (Do You Know Where You’re Going To),” and Peabo Bryson and Roberta Flack (“Tonight, I Celebrate My Love”).
He met Houston while working on Teddy Pendergrass’ 1984 album, “Love Language,” which featured a duet with her.
Yet Masser, a member of the Songwriters Hall of Fame, never duplicated the success he achieved with Houston, whose “legacy will always be permanently indebted to Michael,” the singer’s longtime mentor, Clive Davis, said in a statement.Perhaps that’s because he’d perfected his chosen form with her and could find no way to improve it. Twitter:
Get our L.A. Goes Out newsletter, with the week’s best events, to help you explore and experience our city. You may occasionally receive promotional content from the Los Angeles Times. : Remembering Michael Masser, the songwriter who gave Whitney Houston his all
Who taught Whitney to sing?
How did Whitney Houston get her start in music? – Whitney Houston – Home | Live at The Merv Griffin Show, 1983 (Remastered, 60fps) When Whitney was still in school, her mother Cissy taught her how to sing. At this point, Cissy was a member of the group Sweet Inspirations, which also sang backup for Elvis Presley,
When Whitney Houston sang the national anthem so powerfully she moved a nation to tears
In the early 1980s, Whitney began working as a fashion model after a photographer saw her at Carnegie Hall, becoming a highly sought-after young model. In 1983, Gerry Griffith, an A&R representative from Arista Records, saw Whitney performing with her mother in New York. He told Arista’s head Clive Davis to see her perform. Impressed, he immediately offered her a record deal, which she eventually signed. Later that year, she made her TV debut alongside Davis on The Merv Griffin Show,
Who has the longest number 1 song ever?
‘ Old Town Road ‘ holds the record for the longest stretch at No.1 with 19 weeks. It also became the fastest song in history to be certified diamond.
Does Whitney Houston have more hits than The Beatles?
Whitney Houston beats the Beatles I t’s easy to forget that, pre-Bobby Brown and drugs, was once a record-breaking artist, not just an early sign of pop’s imminent annexation by all things R&B but an old-fashioned diva, too. It was in her DNA, of course (Aretha Franklin is her godmother, Dionne Warwick her aunt).
Who has the most number 1 hits ever?
From Wikipedia, the free encyclopedia The Billboard Hot 100 is a singles chart published by Billboard which measures the most popular singles in the United States. Prior to the creation of the Hot 100, Billboard published four singles charts: “Best Sellers in Stores”, “Most Played by Jockeys”, “Most Played in Jukeboxes” and “The Top 100”.
These charts, which ranged from 20 to 100 slots, were phased out at different times between 1957 and 1958. Though technically not part of the Hot 100 chart history, select data from these charts are included for computational purposes, and to avoid unenlightening or misleading characterizations. Throughout the history of the Hot 100 and its predecessor charts, many songs have set records for longevity, popularity, or number of hit singles by an individual artist.
Among these records are the longest-running number one single ” Old Town Road ” by Lil Nas X, which spent 19 weeks at that position. The Beatles have the most number one hits on the chart, with 20 songs having reached that position.
Why is Whitney such a good singer?
Story highlights – Guthrie Ramsey: Whitney Houston’s voice was glorious in its transcendent musicianship Houston had a very wide range, from alto to the highest soprano, Ramsey observes Ramsey says her impeccable intonation instilled a “trust” in her listeners Houston’s talent and charisma couldn’t outpace the toils of her life, Ramsey says CNN — The words “Whitney Houston died” appeared on my BlackBerry screen.
- Like many of us living in the digital age, I learned that the pop diva passed away by way of text message.
- Sent by my 25-year-old daughter, the announcement shocked me but soon triggered fond memories of the days when she and her younger sister would belt out Houston’s latest hit along with the radio.
Their voices were unleashed in that gleeful, full-throated and uninhibited way that only pre-teen girls seemed to do. (Imagine “and I-eee-I-eee-I will always love you” at earsplitting, hilarious volume). A few of the high notes were clearly out of my girls’ easy reach in their spontaneous renditions.
But they reveled in emulating Houston nonetheless. I’ve heard plenty about Houston’s troubles during the course of the week. Despite her battles with drugs and alcohol, many people have good memories of her and her songs. So what made “The Voice” so glorious in the transcendent musicianship that Houston displayed in her recordings and concerts? Houston possessed the perfect vibrato.
This effect was facilitated by her deceivingly effortless diaphragmic support. Houston belted out chorus after chorus on hit after hit, demonstrating white-knuckled control over this parameter of her “singer’s toolbox” with an aplomb that seemed unfair to lesser vocalists.
And the sheer stamina it took to achieve this elusive aspect of a singer’s art separates the wannabes from the real McCoy. Never noticed that, right? That’s because she was so good at it. Houston was famous for having a very wide range. Some of her songs spanned quite a bit of vocal territory, from alto to the highest soprano.
What was remarkable is that she hardly ever “bailed out” by flipping into a falsetto voice – you know, that head-buzzing sound that men emit when they’re doing bad imitations of female opera singers. Houston seemingly had no natural break between the high and low registers of her instrument.
- This unique quality was highlighted because when she did flip into the “head voice,” it was employed as a subtle garnish, a precious design element in a phrase.
- Her impeccable intonation – just one of the reasons her “Star-Spangled Banner” has become iconic – instilled a “trust” in her listeners.
- When every note is perfectly in tune, as they were in a classic Houston performance, we relaxed and gave in to the sheer beauty of music.
Beyond the gift of her instrument, Houston’s musicianship comprised an uncanny way of handling the material she was given with such expertise and attention to detail that the songs became hers and hers alone. Her sense of musical balance allowed her “crowd” the cadences of a song’s key passages with “just enough” sonic information before landing coyly in the next structural part of the song.
Although her work grew more melismatic as her career progressed, she never overused this technique like some of her myriad imitators. She mostly executed them in clever twists at the ends of phrases or tossed them off with stunning ease between plainly rendered melodic statements. This allowed many of us to sing along with her at full voice, by ourselves, in the car.
(Surely, we’ve all done this). And she made us feel it. Through musical economy and powerful execution, Houston could shape the emotional contour of a song whether in long concert-versions or on a four-minute record. Her exquisite beauty together with that “come hither/don’t take another step closer or I’ll call my cousin” camera presence intrigued us.
- What charisma she had.
- Certainly, this infectious package of beauty and talent was at least one of the reasons my youngest daughter, now a budding operatic coloratura soprano, is pursuing a life of long, beautiful gowns and very, very high notes.
- Miss Whitney’s ubiquity in the media made that seem like a reasonable dream for many of the young women she mesmerized.
Houston became a pop star the old fashioned way – not through a virile YouTube video or as a contestant on “American Idol.” She was discovered, given a record deal, provided material and the rest was lots of hard and endless work. Now that she’s gone, we can do nothing but remember: Remember how she and “the voice” seemed like two separate entities.
- Remember how she performed that voice; how she allowed us to witness it, how she obviously enjoyed it herself.
- In the end, the voice just couldn’t keep up with the extravagances and toils of her life in the spotlight.
- Follow CNN Opinion on Twitter Join the conversation on Facebook The opinions expressed in this commentary are solely those of Guthrie P.
Did Whitney use autotune?
Music industry reflects on Whitney Houston’s golden voice | ABC7 Chicago February 13, 2012 (CHICAGO) In the meantime, Houston’s fans continue mourning her death. But they are also celebrating the life of the singer with the golden voice. As the shock of sadness lifts, greats in the music industry reflect on the significance of Whitney Houston.
- Absolute beauty, Whitney had one of those extra, extra, extra special gifts,” said Smokey Robinson, Whitney’s longtime friend.
- She just had that voice that soared.” “It was such a stunning impact to hear this young girl breathe such fire, such life into this song, I mean, it sent the proverbial tingles up my spine,” said Clive Davis, Whitney’s lifelong mentor.
“She was just kind of chosen to have a voice that would speak to people,” said singer Alicia Keys. ” And it has shown me what it feels like to dream.” Years ago, music engineer Danny Leake was invited to a listening party hosted by Clive Davis in Chicago to introduce a young Whitney Houston to people in the music industry.
- I just knew she was going places,” Leake told ABC7.
- I didn’t know how far she was going to go.” Leake also toured with Houston’s ex-husband, Bobby Brown.
- Leake recalls a kind woman who was pregnant during the tour and a unique talent who would change the industry.
- Unbelievable, she had an unbelievable instrument.
She didn’t need 15 go-go boys to get a point across on a tune,” he said. Leake says the legend of Houston’s recording of “I Will Always Love You” was that she did it in one take – and that rough cut was the track that sold millions. “She did it one time, she didn’t do it verse by verse.
- She didn’t do it line by line.
- There was no auto tune or trying to fix the vocal.
- It was just bang.
- Who does that now? Nobody.” “When she came on the scene, it’s like wow so refreshing because her voice was so powerful and souful and people could relate to the message she gave,” said Effie Rolfe, radio personality and assistant program director, Inspiration 1390 AM Rolfe was busy talking calls on her radio show Sunday morning on V-103.
She saw the impact Houston had on the industry and those who came after her. “She’s in the lines and ranks of Lena Horn and Dianna Ross, and she paved the way for the Jennifer Hudsons,” Rolfe said. : Music industry reflects on Whitney Houston’s golden voice | ABC7 Chicago
How did Whitney sing so well?
Vocal Range : C#3 – G#5 – D#6 ( 3 Octaves and a major second ) https://therangeplanet.proboards.com/thread/1827/whitney-houston Vocal Fach : Mezzo-Soprano Vocal Rating : Virtuoso Longest Note : 16 Seconds Analysis : A defining, classic voice, and one of the most highly regarded vocalists of the 20th century.
- Incredible breath support, showing no signs of fatigue, and carrying extensive legato passages with ease.
- Incredible utilization of dynamics, using all volumes from fortissimo to pianissimo and everything in between to craft incredible phrases.
- Though she didn’t lean heavily on her melismatic prowess, she was more than capable of using the technique and used it carefully.
Because of her natural sense of rhythm, she would also play with rhythmic figures to create cadences and other musical effects with her voice. Houston also had great control of her passagio ; all of these qualities made her’s an incredibly balanced instrument.
Thanks to (gospel) vocal training at a young age, Houston captured and developed her vocal potential at a young age, beginning solo performances at just 14. That gospel training helped develop her breath support, coordination, and agility, as well as dynamic range. Although largely underutilized largely due to her Gospel training which emphasizes the middle and upper registers, her lower register, like the rest of her voice, was well supported, dark, and full.
She maintained fluidity and ease all the way down below C3. However, it was when she ascended that her voice began to display its most impressive qualities. Her middle voice was massive and consistently resonant, with no need to look beyond her iconic B4 belt in ” I Will Always Love You ” for evidence of this.
- The size of her voice in this area – approximately A4 to D5 – is one of the reasons she should be regarded as a Mezzo-Soprano, As confirmed by her vocal coach, Whitney was a mezzo-soprano, although there is a case to be made for her being classified as a Spinto Soprano.
- Given the large size of her voice, its timbre, and Continue reading alongside her general lack of comfort above soprano C.
Her grunts and growls here were deployed with a healthy technique, as she not only replicated this distortion repeatedly but also could achieve a clear sound on the same notes. This is because she twanged her throat above the vocal cords to distort the sound rather than using the cords themselves.
- Https://completevocal.institute/ Because her timbre was warm and velvety, her midrange was able to draw her listeners in with ease.
- Her music relied heavily on her belts, which not only allowed her to display her prowess but practice and harness it further.
- As she aged from her debut in the 80s to the early 90s, her voice became larger, fuller, and darker.
Her powerful, resonant belts were mixed seamlessly with her head voice which allowed her to sing complex phrases and melismas all the while projecting resonance with ease. As a master of breath support, Houston rarely ventured outside of her embodied range, although when she did the upper belts (F5 and above) could only be sustained for so long, and her voice would become shrill approaching F#5.
At this point, she would rely more on the muscles in her neck to support her voice, although the concurrent strength of her breath support often kept this from impacting the sound and was only an occasional issue. The head voice was resonant and full in virtually every instance, and was a highlight of her voice, alongside her heavy use of vibrato,
Her vibrato was well developed and rolling, virtually flawless with even oscillations, and was consistently and evenly applied, although she would notably use her jaw to achieve it rather than relying on a combination of breath support and relaxing the throat.
- Her incredible musical ear kept her pitch-perfect in the vast majority of her performances and even in acapella settings.
- While the vast majority of the decline in her voice was due to drug and alcohol abuse, Houston’s rigorous touring schedule also worsened her sound as well.
- She developed a vocal cord injury just before her “I’m Your Baby Tonight” tour, AMES History Museum : “She also developed a throat ailment that summer, which forced her to cancel the end of her Canadian tour to recover.” which was not allowed to fully heal, Houston continued on the tour weeks after the injury,
and also coincided with significant life changes like her pregnancy and marriage. Overall, Houston was a legendary vocalist whose impact on Pop singers was beyond that of any of her contemporaries. Her synthesis of gospel and pop deliveries altered the Pop landscape, and deservedly so.
- Her knowledge of vocal pedagogy and passion for her craft is difficult to overstate.
- What do you think of Whitney Houston’s voice? Would you add anything to our analysis? Let us know by commenting below! What was Whitney Houston’s vocal range? Whitney Houston had a vocal range of approximately three octaves and and a major second, spanning C#3 – G#5 – D#6.
Some have incorrectly labeled her range as being at five octaves; they are likely confusing Houston with her contemporary, Mariah Carey, How many octaves could Whitney Houston sing? Whitney Houston could sing approximately three octaves and and a major second, spanning C#3 – G#5 – D#6.
- Some have incorrectly labeled her range as being at five octaves; they are likely confusing Houston with her contemporary, Mariah Carey,
- What was Whitney Houston’s vocal fach or voice type? As confirmed by her vocal coach, Whitney was a mezzo-soprano, although there is a case to be made for her being classified as a Spinto Soprano.
Given the large size of her voice, its timbre, and weight, she could be classified as either, however, her upper register did not extend high enough – to E6 – as expected of one, but more importantly, her tessitura was not high enough to fully support this classification.
Is Whitney Houston one of the best singers ever?
Following the global success of her 1967 single ‘Respect,’ the Queen of Soul established herself as the greatest ever pop, rock, and soul vocalist. Whitney Houston, known by many as The Voice ranked second, followed by Sam Cooke, who was given the title the King of Soul by his fans.
Is Whitney Houston one of the best singers?
Celebrated as the ‘greatest singer of her generation,’ Whitney Houston’s accomplishments in music are unparalleled.
What was Whitney’s biggest hit song?
The late Whitney Houston ‘s legacy on the Billboard Hot 100 singles chart is legendary. Her biggest single on the Hot 100 chart is her iconic “I Will Always Love You,” from the soundtrack to her 1992 film debut, The Bodyguard, The track spent a staggering 14 weeks atop the list and at the time was the longest-running No.1 single in history.
- In celebration of what would have been her 59th birthday on Wednesday (Aug.9), Billboard has compiled Houston’s top 20 Hot 100 singles, and unsurprisingly, “I Will Always Love You” tops the tally.
- It is followed by the buoyant “I Wanna Dance With Somebody (Who Loves Me),” which was her fourth of 11 career No.1s on the list.
All 11 of her No.1 hits are present on the recap (below) and also happen to comprise the entire top 11. Whitney Houston’s top Billboard Hot 100 hits chart is based on actual performance on the weekly Billboard Hot 100. Songs are ranked based on an inverse point system, with weeks at No.1 earning the greatest value and weeks at No.100 earning the least.
- Throughout the two decades that followed, Crawford’s relationship with the singer was in the limelight.
- Some people questioned their closeness as being more than that of a friendship, but Houston regularly tamped down romance rumors in interviews.
- Since the singer’s death in 2012, the rumors persisted, and were mentioned in the 2017 documentary Whitney: Can I Be Me as well as 2018’s doc Whitney — but Crawford herself did not address speculation and avoided involvement in the productions,
- It is the last song recorded by Houston before she died on February 11, 2012.
- It was officially released on June 5, 2012 for digital download on iTunes and Amazon.
- The song made its US radio premiere on On Air with Ryan Seacrest on May 21, 2012.
- For the week June 16, 2012, “Celebrate” debuted at number 34 on the US Adult R&B Airplay,
- Whitney Houston is the longest-running number one album ever by a female artist on the Canadian Albums Chart (from RPM magazine) in the 1980s, spending 18 consecutive weeks at the top from March 8 to July 5 in 1986. (see the list of Canadian number-one albums )
- As Whitney topped the Canadian Albums Chart for 11 consecutive weeks from June 27 to September 5, 1987, which made Houston to hold the record for the most cumulative weeks at number one of the chart in the 1980s, staying a total 29 weeks atop with her two releases. (see the list of Canadian number-one albums in 1987)
- Houston became the first black female artist to top the Australian Albums Chart (from Kent Music Report ) with her 1985 debut, Whitney Houston. In 1986, the album stayed at the summit of the chart for 11 non-consecutive weeks, a record for the longest-stay by a woman during the 1980s. (see the list of number-one albums of the 1980s in Australia)
- Whitney is the first album by a female artist to debut at number one on the albums charts simultaneously in the United States and the United Kingdom.
- “I Will Always Love You” topped the UK Singles Chart for ten consecutive weeks from December 5, 1992 to February 6, 1993, breaking a previous record for the longest-running number one single by a solo female artist in history of the chart; 9-week reign by Doris Day with ” Secret Love ” in 1954. (the record was shared by Rihanna with ” Umbrella ” in 2007)
- Houston has the longest concurrent topping of the U.S., the U.K., and Australian singles charts when “I Will Always Love You” spent eight-straight-weeks simultaneously topping the charts. In addition, “I Will Always Love You” is the only song to have a double-digit run at the pole position of all the singles chart in Australia, Canada, New Zealand, the United Kingdom, and the United States.
- In Australia, December 20, 1992 – February 21, 1993 (10 weeks)
- In Canada, December 19, 1992 – February 20, 1993 (10 weeks)
- In New Zealand, December 18, 1992 – March 18, 1993 (14 weeks)
- In the United Kingdom, December 5, 1992 – February 6, 1993 (10 weeks)
- In the United States, November 28, 1992 – February 27, 1993 (14 weeks)
- In the British music history, Houston is the only artist to be placed in the top 10 of the UK Year-End Singles Chart for two consecutive years with one single, “I Will Always Love You”, ranked number one in 1992, and number ten in 1993.
- “I Will Always Love You” was named the Top Australian Single of the 1990s by a female artist.
Who was Whitney Houston’s best friend?
No one was closer to Whitney Houston than Robyn Crawford. Since the music icon exploded on the scene with the release of her self-titled debut album in 1985, Crawford was by Houston’s side as a close collaborator, professional gatekeeper — and above all, her best friend.
It wasn’t until she published A Song for You: My Life with Whitney Houston, her 2019 memoir, that she chronicled her relationship with the superstar from her own perspective — and confirmed that the two had been romantic at one point, Now, their love affair is being recounted in Kasi Lemmons’ biopic, I Wanna Dance with Somebody, starring Naomi Ackie as Houston and Nafessa Williams as Crawford.
What was Whitney Houston’s last hit?
From Wikipedia, the free encyclopedia
|Single by Whitney Houston and Jordin Sparks|
|from the album Sparkle: Original Motion Picture Soundtrack|
|Released||June 5, 2012|
|Recorded||2011 – February 7, 2012|
|Length||3 : 35|
|Whitney Houston singles chronology|
|” I Am Woman ” (2011)||” Celebrate ” (2012)||” Double Tap ” (2015)|
Celebrate ” is a duet by American singers Whitney Houston and Jordin Sparks, It was written and produced by R. Kelly for the soundtrack album Sparkle to the 2012 musical drama film of the same name, The film starred Houston and Sparks. RCA Records released “Celebrate” as the first official single from the soundtrack.
During that same week, “Celebrate” also debuted at number 84 on the US Hot R&B/Hip-Hop Songs chart, and has since peaked at number 62. The accompanying music video for the song was filmed on May 30, 2012. The video was shot over two days by director Marcus Raboy.
How long was Whitney Houston number 1?
International charts records –
Did Whitney sing before she died?
What were Whitney Houston’s last words? – Michael Zagaris/Getty Houston spoke on the phone with her mother around 3:15 p.m. on February 11, just 40 minutes before she was pronounced dead in her hotel room. The nature of their phone call has not been revealed by Cissy Houston, but she said her daughter seemed to be fine.
Did Whitney sing at the Super Bowl?
Whitney Houston (1991) – Image Credit: Michael Zagaris/Getty Images Still the gold standard for all Super Bowl performances more than 30 years later, Whitney Houston’s prerecorded version of the National Anthem stands as one of the most stunning moments in NFL history. It’s the only Super Bowl anthem that rivals famous versions like Marvin Gaye (at the 1983 NBA All-Star Game) or Jose Feliciano (at the 1963 World Series). It’s gone down in history as of her most beloved performances.
Is Yaya really singing in Whitney?
The highs and lows of Whitney Houston ‘s career take center stage in the Lifetime original movie Whitney, and only ET was on set for an exclusive behind the scenes look at the biopic. Angela Bassett makes her directorial debut with the TV movie which is set at the height of Whitney’s fame.
- But Bassett says the the movie handles her drug use and troubled marriage to Bobby Brown head on.
- We don’t shy away from that,” she tells ET.
- We can’t tell a story without that.
- We’re being honest.” WATCH: Whitney Houston’s Daughter Bobbi Kristina Wanted to Be Cast as Her Mother “This is a love story,” she adds.
“It’s a complicated life that she lived. Just she herself alone as an icon, as a singer, as an artist- and as well and theirs combined- but the most important aspect in life is love and I think they had it.” Former America’s Next Top Model contestant Yaya DaCosta, who most recently co-starred opposite Forrest Whitaker and Oprah Winfrey in Lee Daniel’s The Butler, takes on the role of the legendary singer, and told ET she studied all of Whitney’s videos to get her moves down right. Lifetime The film has drawn controversy because the Houston family was not involved, but among the biggest challenges Bassett faced making the project come to fruition was recreating Whitney’s iconic voice. There were problems getting the rights to use Whitney’s actual vocals, so singer Deborah Cox is the real voice behind Yaya’s portrayal.
“I just focused on the job at hand,” Cox told ET. “Angela really wanted me to invoke the spirit of and make sure the songs we’re going to be a great tribute to her.” As for her critics, Bassett admits she anticipated them “to come with bricks.” “I love when they talk trash and don’t think they’re going to get anything because we have an opportunity to really show you something.” NEWS: Whitney Houston’s Mother Cissy Responds to Lifetime Biopic: ‘Please Let Her Rest’ Feb.11 will mark the third anniversary of Whitney Houston’s death, which will not be portrayed in the Lifetime movie.
The singer was found dead in her room at the Beverly Hilton Hotel, the day before the Grammy Awards. Houston’s death was caused by accidental drowning, but heart disease and cocaine use were contributing factors, according to coroner’s officials. Watch the video for more behind the scenes of Whitney and to find out which scene gave Bassett chills while shooting.
Who wrote the song I Will Always Love You for Whitney Houston?
We will always love Whitney Houston ‘s “I Will Always Love You.” Written by Dolly Parton and originally released as a chart-topping country hit by the legendary musician in 1974, the iconic ballad reached new heights once Houston recorded it for the soundtrack to the 1992 film The Bodyguard,
Houston’s version of the track reached No.1 in over a dozen countries upon its release and went on to win awards for record of the year and best pop vocal performance at the 1994 Grammys — before eventually becoming certified diamond by the RIAA for more then ten million units sold. While fans may have the lyrics to “I Will Always Love You” down pat, its history is a little less well-known.
So, before theaters are filled with audiences watching Naomi Ackie as Houston — who died at age 48 in 2012 — in the biopic I Wanna Dance With Somebody once it’s released on Dec.23, here are some interesting facts about the beloved song.
Did Bobbi Kristina know how do you sing?
From Wikipedia, the free encyclopedia “Bobbi Kristina” redirects here. For the biographical movie, see Bobbi Kristina (film),
|Bobbi Kristina Brown|
|Brown performing on Good Morning America in September 2009|
|Born||March 4, 1993 Livingston, New Jersey, U.S.|
|Died||July 26, 2015 (aged 22) Duluth, Georgia, U.S.|
|Cause of death||Lobar pneumonia|
|Burial place||Fairview Cemetery, Westfield, New Jersey|
|Partner||Nick Gordon (2012–2015)|
Bobbi Kristina Houston Brown (March 4, 1993 – July 26, 2015) was an American reality television personality and singer. She was the only child of singers Bobby Brown and Whitney Houston, Her parents’ fame kept Brown in the public eye, as did her appearances on the reality show Being Bobby Brown,
Brown intended to become a singer, actress, and dancer like her parents. She performed with her mother at concerts a number of times, as well as singing a cover of her mother’s song ” I’m Your Baby Tonight ” on Being Bobby Brown, She appeared as herself on a number of television shows and specials, and played a role on Tyler Perry ‘s television series For Better or Worse in 2012.
On January 31, 2015, Brown was found unconscious in a bathtub in her home, which was similar to the fate of her mother. After being in a coma for nearly six months, Brown died from lobar pneumonia on July 26, at the age of 22. After her death, her life was the subject of a television movie in 2017 and a documentary in 2021.
Did Dolly Parton write a Whitney Houston song?
More than once, a cover of a hit song has become an even bigger hit than the original. According to American Songwriter, it happened with songs such as “Respect” (written and originally recorded by Otis Redding, remake by Aretha Franklin), “All Along the Watchtower” (written and originally recorded by Bob Dylan, remake by Jimi Hendrix), and “Nothing Compares 2 U” (written and originally recorded by Prince, remake by Sinead O’Connor).
And it happened with “I Will Always Love You” (written and originally recorded by Dolly Parton, remake by Whitney Houston), which is featured in the Find Yourself in Copyright exhibit in the Library of Congress Madison building and this blog celebrating Women’s History Month. Dolly Parton, a member of the Songwriters Hall of Fame, has been writing and recording songs since the 1970s.
Parton wrote “I Will Always Love You,” and it was registered with the Copyright Office in 1973. Whitney Houston, who put her own style and powerful vocals into some of the most popular recordings of all time, wasn’t the first person to record a cover of the song.
Linda Ronstadt (1975), Saskia & Serge (1976), Jimmie Peters (1978), Caroline Du Preez (1979), and Kenny Rogers (1983) all previously recorded the song. After Houston’s megahit, the 1992 edition, the Office’s records reflect more than 100 recordings by other artists. So, who owns the copyright to “I Will Always Love You”? As the songwriter, Dolly Parton is the copyright owner of the lyrics and musical composition.
But her original sound recording of the song, sometimes referred to in the music industry as a “master,” is a separate work that receives its own copyright protection. Copyright Registration of Musical Compositions and Sound Recordings ( Circular 56A ) explains the difference, for copyright purposes, between musical compositions and sound recordings and provides information on registering both types of works either separately or in a single application.
As the copyright owner of the musical composition (including lyrics) for “I Will Always Love You,” Parton has the exclusive right to allow others to make derivative works, but doesn’t own the copyright in those derivative works—so she is not the owner of Whitney Houston’s sound recording of “I Will Always Love You.” Copyright ownership for derivative works belongs to the individual or business that contributed sufficiently original material to qualify as a new original work.
As the singer-songwriter, Parton has the right to control the publishing rights to the musical composition. In 2006, she told CMT that Elvis Presley wanted to record “I Will Always Love You,” but Presley’s manager wanted half of the publishing rights in exchange for recording the song.
- Parton said she would not give up half the publishing for the song, and told W magazine, “I had to keep that copyright in my pocket.” Needless to say, Elvis never recorded the song.
- Turns out that was the right call—Parton mused in the CMT interview, “Then when Whitney came out, I made enough money to buy Graceland.” For additional resources on copyright in musical compositions and sound recordings, check out our previous blog post on music royalties.
Women creators are an essential part of our copyright system, as they produce new works and reimagine others to move culture forward. Participating in the copyright system allows women artists to benefit economically from their creative works. In 2022, the Copyright Office released a report, Women in the Copyright System: An Analysis of Women Authors in Copyright Registrations from 1978 to 2020, which found that women creators are significantly underrepresented in registrations, especially in comparison to their participation in copyright-intensive industries.
This gender gap has shrunk over time, but there is still work to be done. The Copyright Office’s Strategic Plan places a strong emphasis on the concept of copyright for all, This means working to make the copyright system as understandable and accessible to as many members of the public as possible, including individuals and small entities as well as historically underserved communities.
Find Yourself in Copyright explores how U.S. copyright law has evolved and how the millions of copyright claims registered with the Office illustrate the varied nature of original works. Once the Library of Congress’s Madison Building fully opens to the public, you can visit the exhibit on the fourth floor.
Did the actress who played Whitney do her own singing?
Did Naomi Ackie sing in I Wanna Dance with Somebody? – According to, Naomi Ackie does provide some of her singing voice in I Wanna Dance with Somebody, However, the majority of the singing is done by Whitney Houston. Ackie did lend her voice to the film to make her acting more believable.
But since Houston has an exceptional voice, unable to be mimicked by most talented artists in our generation, the creatives behind the title thought it best to mix most of Houston’s vocals with a small portion of Ackie’s voice. “We were very impressed that Whitney’s persona was being captured,” Clive Davis, the producer behind the 2022 title, expressed.
“The (singing) voice, of course, will be Whitney’s. When it came to Whitney, we didn’t think anyone could capture her vocal genius, so it will be the Whitney voice in the film.” You can see evidence of this in a clip from I Wanna Dance with Somebody below.
Davis wasn’t the first person to opt for using Whitney Houston’s voice in this biopic, as Angela Bassett decided to do the same in her 2015 directorial debut film,, The reasoning behind the decision was mostly the same, so it’s safe to say that if any other Whitney Houston biopics arrive in the future, we can expect a similar method by producers.
Even though it’s not singing your favorite Whitney Houston songs, that is, indeed, the United Kingdom actress portraying the beloved musician, so be sure to head to Netflix today to stream every single second of Ackie’s amazing performance in I Wanna Dance with Somebody,
Published on 04/26/2023 at 2:38 PM EDT Last updated on 04/26/2023 at 2:38 PM EDT
: Is Naomi Ackie really singing as Whitney Houston in I Wanna Dance with Somebody?